Friday, April 30, 2010

Aikido As An Art Form

Martial Arts is one of the contributions of Asia to the world. Who can forget Bruce Lee and the fact that he was first and foremost a martial arts athlete before being a movie star? Even until now martial arts is still a big hit with the increasing popularity of Asian movies like crouching Tiger Hidden Dragon and more recently the House of the Flying Daggers.

The Chinese are the first people that come to mind when it comes to these things but the Japanese are just as athletic with a rich heritage of body contact sports that can be found in their history. The modern Japan still gives honor to these things by holding tournaments and promoting such sports abroad,

One of these is Aikido. It is interesting to note that the word comes from three Japanese words from which one can derive the meaning of the one word. Ai means joining, Ki means spirit and Do means way. From this we can understand why Aikido is beyond just the physical skills of it students especially sin its proponent Ueshiba focused more on the spiritual and philosophical development of his students.

In Aikido, one is not taught violence instead one is taught to be in harmony with the opponent to be able to defeat. This might seem odd but it actually works. In approaching an opponent, the aim of the Aikido practitioner is to be one with the opponent to be able to attack him where he is weakest and in doing so diver or immobilize him but never to kill.

This is where Aikido becomes an art. Art is something beautiful to watch and something positive and Aikido is all that. At least one of the people involved in the fighting strives for harmony and harmony can only be achieved if there is grace in the movements. The moves maybe calculated but there is an air of finesse in doing these movements, not a womanly finesse but just a finesse that emanates peace. The art of peace as what they call in Aikido is one of the most positive influences of Aikido to its students and to everyone who choose to know about this Japanese martial art.

Some of the techniques in Aikido include the following. Ikkyo is the first technique. Using this technique you control an opponent by using one hand in holding the elbow and one near the wrist, this action is supposed to make you pin your opponent down in the ground. Nikyo the second technique is when you do an adductive wristlock that enables you to twist the arm of your opponent that will in turn cause enough nerve pressure.

The third technique is Sankyo which is a pronating technique that directs upward-spiraling tension throughout the arm, elbow and shoulder. There are many other techniques but the first three should get you started.

In studying Aikido, it is important to remember that along with building physical strength to be able to defeat your opponent the mental capacity should also be developed. Just like in any art, it takes a lot of practice and discipline to perfect the art of Aikido. The important thing is the one who wants to get into the art should have determination to give honor to the art by performing it in the best way possible.

Thursday, April 29, 2010

The Basics of Aikido

Aikido is one of the oldest form of martial arts. Founded by Morihei Ueshiba, aikido came about through the studies of many different kinds of traditional martial arts. In fact, is often perceived as a form of exercise or a dance because of some of its forms. It is also viewed by some quarters as some form of martial mesmerism.

Aikido is even confused with Daito Ryu Aikijutsu, it is different in its essence. Still, its founder attributed his creation of aikido to the way, his master Sokaku Takeda, grandmaster of Daito Ryu, opened his eyes to the nature of Budo.

What is aikido?

Despite its many perceived forms, aikido is a Budo or martial arts. It is the refinement of the techniques that are being taught in traditional martial arts and is combined with a philosophy that calls on for the power of the spirit. In its essence, it is a blending of the body and the mind.

Its philosophy is basically derived from the belief that deceptions and trickery or brute force will not make us defeat our opponents. Instead, concentration that involves the spirit will be enough to strengthen us.

Aikido is also used as a way to discover our true paths so that we can develop our individuality. It also teaches its practitioners to unify their body and their mind so that they will become in harmony with the “universe” and with nature. Their power and their strength will come from this balance and harmony.

The word “universe” in aikido is not some obscure concept that one cannot achieve. It is actually quite concrete and is even within the grasp of the person. In aikido, “universe” can be achieved through actual experiences and everyday life.

Aikido’s movements and techniques are circular. When a circle is created in aikido, the person is said to be protected from a collision from an opposing force. A firm center, however, is needed to create this circle. An example of a firm circle is a spinning top that turns at fast speed. Without a firm center, the speed of movement will only create imbalance. The stillness of the spinning top while in speeding motion is what is called sumikiri in Aikido language. This is achieved only by what Aikido founder calls “total clarity of mind and body.” However, this is not so easily achieved. It takes a long time of study and practice in order to find this intense concentration and centeredness.

Training is important in aikido as well as concentration because while it may be easy to create a centered being when inside a martial arts gym, the same cannot be said of situations and circumstances outside. It will not be easy to keep one’s composure when faced with extraordinary circumstances. This is actually one of the goals of Aikido training. It aims to teach its practitioners to maintain their composure and their centeredness even in panic situations such as danger and calamities.

One method taught in aikido is to breathe with what is called the seika tanden point. This is the part of the body that can be found two inches below the navel. Controlled breathing is one key to being one with the universe and to center oneself with nature. When a person learns to do this, he or she will feel extraordinary calmness that they can use in the practice of aikido.

Wednesday, April 28, 2010

Short Punches and Hits

During medium-range combat, punches and strikes are usually short because of the close distance between fighters. Power is generated by using the entire body mass in motion behind all punches and strikes.

a. Hands as Weapons. A knowledge of hand-to-hand combat fighting provides the fighter another means to accomplish his mission. Hands could become deadly weapons when used by a skilled fighter.

(1) Punch to solar plexus. The defender uses this punch for close-in fighting when the opponent rushes or tries to grab him. The defender puts his full weight and force behind the punch and strikes his opponent in the solar plexus, knocking the breath out of his lungs. The defender could then follow-up with a knee to the groin, or he could use other disabling blows to vital areas.

(2) Thumb strike to throat. The defender uses the thumb strike to the throat as an effective technique when an opponent is rushing him or trying to grab him. The defender thrusts his right arm and thumb out and strikes his opponent in the throat-larynx area while holding his left hand high for protection. He could follow up with a disabling blow to his opponent’s vital areas.

(3) Thumb strike to shoulder joint. The opponent rushes the defender and tries to grab him. The defender strikes the opponent’s shoulder joint or upper pectoral muscle with his fist or thumb. This technique is painful and renders the opponent’s arm numb. The defender then follows up with a disabling movement.

(4) Hammer-fit strike to face. The opponent rushes the defender. The defender counters by rotating his body in the direction of his opponent and by striking him in the temple, ear, or face. The defender follows up with kicks to the groin or hand strikes to his opponent’s other vital areas.

(5) Hammer-fist strike to side of neck. The defender catches his opponent off guard, rotates at the waist to generate power, and strikes his opponent on the side of the neck (carotid artery) with his hand clenched into a fist. This strike could cause muscle spasms at the least and may knock his opponent unconscious.

(6) Hammer fist to pectoral muscle. When the opponent tries to grapple with the defender, the defender counters by forcefully striking his opponent in the pectoral muscle. This blow stuns the opponent, and the defender immediately follows up with a disabling blow to a vital area of his opponent’s body.

(7) Hook punch to solar plexus or floating ribs. The opponent tries to wrestle the defender to the ground. The defender counters with a short hook punch to his opponent’s solar plexus or floating ribs. A sharply delivered blow could puncture or collapse a lung. The defender then follows up with a combination of blows to his opponent’s vital areas.

(8) Uppercut to chin. The defender steps between his opponent’s arms and strikes with an uppercut punch to the chin or jaw. The defender then follows up with blows to his opponent’s vital areas.

(9) Knife-hand strike to side of neck. The defender executes a knife-hand strike to the side of his opponent’s neck the same way as the hammer-fist strike (Figure 4-6, page 4-11) except he uses the edge of his striking hand.

(10) Knife-hand strike to radial nerve. The opponent tries to strike the defender with a punch. The defender counters by striking his opponent on the top of the forearm just below the elbow (radial nerve) and uses a follow-up technique to disable his opponent.

(11) Palm-heel strike to chin. The opponent tries to surprise the defender by lunging at him. The defender quickly counters by striking his opponent with a palm-heel strike to the chin, using maximum force.

(12) Palm-heel strike to solar plexus. The defender meets his opponent’s rush by striking him with a palm-heel strike to the solar plexus. The defender then executes a follow-up technique to his opponent’s vital organs.

(13) Palm-heel strike to kidneys. The defender grasps his opponent from behind by the collar and pulls him off balance. He quickly follows up with a hard palm-heel strike to the opponent’s kidney. The defender could then take down his opponent with a follow-up technique to the back of his knee.

b. Elbows as Weapons. The elbows are also formidable weapons; tremendous striking power could be generated from them. The point of the elbow should be the point of impact. The elbows are strongest when kept in front of the body and in alignment with the shoulder joint; that is, never strike with the elbow out to the side of the body.

(1) Elbow strikes. When properly executed, elbow strikes render an opponent ineffective. When using elbow strikes, execute them quickly, powerfully, and repetitively until the opponent is disabled.
(2) Repetitive elbow strikes. The attacker on the right throws a punch.
The defender counters with an elbow strike to the biceps. The attacker follows with a punch from his other arm. The defender again counters with an elbow strike to the shoulder joint. He next strikes with an elbow from the opposite side to the throat.

c. Knees as Weapons. When the knees are used to strike opponents, they are especially potent weapons and are hard to defend or protect against. Great power is generated by thrusting the hips in with a knee strike; however, use the point of the knee as the impact surface. All knee strikes should be executed repetitively until the opponent is disabled. The following techniques are the most effective way to overpower or disable the opponent.

(1) Front knee strike. When an opponent tries to grapple with thedefender, the defender strikes his opponent in the stomach or solar plexus with his knee. This stuns the opponent and the defender could follow up with another technique.

(2) Knee strike to outside of thigh. The defender delivers a knee strike to the outside of his opponent’s thigh (common peroneal nerve). This strike causes intense pain and renders the opponent’s leg ineffective.

(3) knee strike to inside of thigh. An effective technique for close-in grappling is when the defender delivers a knee strike to the inside of his opponent’s thigh (peroneal nerve). The defender then executes a follow-up technique to a vital point.

(4) Knee strike to groin. The knee strike to the groin is effective during close-in grappling. The defender gains control by grabbing his opponent’s head, hair, ears, or shoulders and strikes him in the groin with his knee

(5) Knee strike to face. The defender controls his opponent by grabbing behind his head with both hands and forcefully pushing his head down. At the same time, the defender brings his knee up and smashes the opponent in the face. When properly executed, the knee strike to the face is a devastating technique that could cause serious injury to the opponent.

Monday, April 26, 2010

Effective Striking Principles

Effective striking with the weapons of the body to the opponent’s vital points is essential in a hand-to-hand struggle. A person must be able to employ the principles of effective striking if he is to emerge as the survivor in a fight to the death.

a. Attitude. Proper mental attitude is of primary importance in the your ability to strike an opponent. In hand-to-hand combat, you must have the attitude that you will defeat the enemy no matter what. In a fight to the death, you must have the frame of mind to survive above all else; the prospect of losing should not enter your mind. You must commit yourself to hit the opponent continuously with whatever it takes to drive him to the ground or end his resistance. A memory aid is, “Thump him and dump him!”

b. Fluid Shock Wave. A strike should be delivered so that the target is hit and the weapon remains on the impact site for at least a tenth of a second. This imparts all of the kinetic energy of the strike into the target area, producing a fluid shock wave that travels into the affected tissue and causes maximum damage. It is imperative that all strikes to vital points and nerve motor points are delivered with this principle in mind. The memory aid is, “Hit and stick!”

c. Target Selection. Strikes should be targeted at the opponent’s vital points and nerve motor points. Strikes to nerve motor points cause temporary mental stunning and muscle motor dysfunction to the affected areas of the body. Mental stunning results when the brain is momentarily disoriented by overstimulation from too much input—for example, a strike to a major nerve. The stunning completely disables an opponent for three to seven seconds and allows you to finish off the opponent, gain total control of the situation, or make your escape. Sometimes, such a strike causes unconsciousness. A successful strike to a nerve motor center also renders the affected body part immovable by causing muscle spasms and dysfunction due to nerve overload.

(1) Jugular notch pressure point. Located at the base of the neck just above the breastbone; pressure to this notch could distract and take away his balance. Pressure from fingers jabbed into the notch incurs intense pain that causes an the opponent to withdraw from the pressure involuntarily.
(2) Suprascapular nerve motor point. This nerve is located where the trapezius muscle joins the side of the neck. A strike to this point causes intense pain, temporary dysfunction of the affected arm and hand, and mental stunning for three to seven seconds. The strike should be a downward knife-hand or hammer-fist strike from behind.
(3) Brachial plexus origin. This nerve motor center is on the side of the neck. It is probably the most reliable place to strike someone to stun them. Any part of the hand or arm may be applied—the palm heel, back of the hand, knife hand, ridge hand, hammer fist, thumb tip, or the forearm. A proper strike to the brachial plexus origin causes — Intense pain.
Complete cessation of motor activity. Temporary dysfunction of the affected arm. Mental stunning for three to seven seconds. Possible unconsciousness.
(4) Brachial plexus clavicle notch pressure point. This center is behind the collarbone in a hollow about halfway between the breastbone and the shoulder joint. The strike should be delivered with a small-impact weapon or the tip of the thumb to create high-level mental stunning and dysfunction of the affected arm.
(5) Brachial plexus tie-in motor point. Located on the front of the shoulder joint, a strike to this point could cause the arm to be ineffective. Multiple strikes may be necessary to ensure total dysfunction of the arm and hand.
(6) Stellate ganglion. The ganglion is at the top of the pectoral muscle centered above the nipple. A severe strike to this center could cause high-level stunning, respiratory dysfunction, and possible unconsciousness. A straight punch or hammer fist should be used to cause spasms in the nerves affecting the heart and respiratory systems.
(7) Cervical vertebrae. Located at the base of the skull, a strike to this particular vertebrae could cause unconsciousness or possibly death. The harder the strike, the more likely death will occur.
(8) Radial nerve motor point. This nerve motor point is on top of the forearm just below the elbow. Strikes to this point could create dysfunction of the affected arm and hand. The radial nerve should be struck with the hammer fist or the forearm bones or with an impact weapon, if available.

Striking the radial nerve could be especially useful when disarming an opponent armed with a knife or other weapon.
(9) Median nerve motor point. This nerve motor point is on the inside of the forearm at the base of the wrist, just above the heel of the hand. Striking this center produces similar effects to striking the radial nerve, although it is not as accessible as the radial nerve.
(10) Sciatic nerve. A sciatic nerve is just above each buttock, but below the belt line. A substantial strike to this nerve could disable both legs and possibly cause respiratory failure. The sciatic nerve is the largest nerve in the body besides the spinal cord. Striking it could affect the entire body, especially if an impact weapon is used.
(11) Femoral nerve. This nerve is in the center of the inside of the thigh; striking the femoral nerve could cause temporary motor dysfunction of the affected leg, high-intensity pain, and mental stunning for three to seven seconds. The knee is best to use to strike the femoral nerve.
(12) Common peroneal nerve motor point. The peroneal nerve is on the outside of the thigh about four fingers above the knee. A severe strike to this center could cause collapse of the affected leg and high-intensity pain, as well as mental stunning for three to seven seconds. This highly accessible point is an effective way to drop an opponent quickly. This point should be struck with a knee, shin kick, or impact weapon.